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WEEK 29, 5 June, 2025

Started the recorded Kitsch conversations

Did research – books from Library CSM, Иван Славов (анти)

Varous sub-themes of kitsch :

Taste

Class

Western / Easterm – linked to worldview

Totalitarianism , opression

Humour, camp, transgression

Luxury

Limits of kitsch

1st – group convo, made a presentation with pointers , visuals and text

Had to jump backwards and forwards in presentation as conversation meandered

Looking back on it I could have taken up various threads in prompts to discuss further – the group situation somehow made it stilted and it was also hard for me to focus on the convo in places as I was doing a presentation as well and trying to channel the convo in certain directions

I will have to look at that in the edit

Had mini tutorial with Marsha – agrees about inserting the kitsch objects into the conversation

Think about ‘CONSIDERATIONS’

LISTEN MORE!!! Be more attentive when listening, take up cues and threads for further discussion

RECORDING MORE 1-2-1 convos :

M , Frances, Khloe, Sarah, Lauryn, Tahlee, Milana

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WEEK 25, 9th May, 2025

Haven’t blogged since February – a LOT has happened since and there’s a lot to record and reflect on.

Unit 2 has been and gone, with three projects to submit:

1 – Materials exchange – Khloe sent me a book on Weeds, from which I had to produce some work by integrating it into my practice. I ended up customising a suit which represented the ‘Insider’ with different fabrics representing ‘outsiders’ bursting through the seams (‘cracks’) in the wall.

2 – Map of MAIP – mapping positionality and creative practices, me in relation to others. My map was a tablescape with a setting for everyone from the cohort , but with subtle differences to signal to our own positionality.

3 – Presentaiton on Georgie’s methods – sent her Trifon Zarezan tradition.

Reflection :

Map was slightly misunderstood – native – not the right word, yellow spoon was seen as derogatery – not the intention!! Didn’t resolve ‘food’ – pieces of paper very basic, not linked to personal creative practices.

UNIT 3

Was very stuck on what to make ‘conversation’ about – discuss diverse positions and ways of viewing and knowing

Reading through brief, what to consider

Potential theme : KITSCH ! + Insider / Outsider / Taste

Axiological – value related

Cross section of ethics and aesthetics

What is taste, what is ‘good’ and what is ‘bad’ taste, what is linked to?

Social acceptance?

Insider vs outisder?

Tourist vs local?

Source : Rie Karatsu ‘Degrees of Kitsch’

Kitsch – origins

Chat GPT definition

Dagmar – house in Vienna – bedroom – angels etc

Research academic sources

Formulate questions for conversation – intercultural slant?

Library research

https://bg.wikipedia.org/wiki/%D0%9A%D0%B8%D1%87#:~:text=%D0%9A%D0%B8%D1%87%20(%D0%9C%D0%A4%D0%90%3A%20k%C9%AAt%CA%83)%20%D0%B5,%D1%83%D0%BF%D0%B0%D0%B4%D1%8A%D1%87%D0%B5%D0%BD%20%D0%B2%D0%B0%D1%80%D0%B8%D0%B0%D0%BD%D1%82%20%D0%BD%D0%B0%20%D0%B4%D0%B0%D0%B4%D0%B5%D0%BD%20%D1%81%D1%82%D0%B8%D0%BB.

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WEEK 28 30 May 2025

Unit 4 - Paul 

Body of evidence of learning

MEETING LOs 27th June for Learning Outcomes - IMPORTANT!!
DEADLINE 14th January 2026 -

What learning is doing in rlation to future practice
Sustainability in relation to social systems (not only environmental)

Research file - evidence -
own reflections
speculations
mapping
diagrams
photographs of process
photos of outcome
film
web areas
process of transformation
collecting reserach file/portfolio
curating evidence

Midwife's work? - every aspect of practice - to aid reflection - not making assupmtions

Marsha:
Rebel toolkit - tool for processing practice 

How do these competencies relate to my practice?
Collages? Sound? Sensuous knowledge production
How do they translate into practice

p.35 - WEF future skills report 2025
Language / Glossary - developing, not static 

Unesco CCC tool - in relation to the course
Prioritise competencies - can use a scale of how open, how communicative etc.
Indicative levels: 

Current + future activities:

The schools's competences:
Applied subjectivity
Soliarity
Leadership


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14th Feb, 2025

Advanced capitalism - hyper individualism 

Today - Self as Other 


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13th February, 2025

Homi Bhabha – The Third Space is a postcolonial sociolinguistic theory of identity and community realized through language. It is attributed to Homi K. BhabhaThird Space Theory explains the uniqueness of each person, actor or context as a “hybrid”.[1][non-primary source needed] See Edward W. Soja for a conceptualization of the term within the social sciences and from a critical urban theory perspective.

Third Space theory emerges from the sociocultural tradition[2] in psychology identified with Lev Vygotsky.[3] Sociocultural approaches are concerned with the “… constitutive role of culture in mind, i.e., on how mind develops by incorporating the community’s shared artifacts accumulated over generations”.[4] Bhabha applies socioculturalism directly to the postcolonial condition, where there are, “… unequal and uneven forces of cultural representation”.[5]

Another contemporary construction of three "spaces" is that one space is the domestic sphere: the family and the home;[11] a second space is the sphere of civic engagement including school, work and other forms of public participation; and set against these is a Third Space where individual, sometimes professional,[12][13] and sometimes transgressive acts are played out: where people let their "real" selves show.

Third Space Theory can explain some of the complexity of poverty, social exclusion and social inclusion, and might help predict what sort of initiatives would more effectively ameliorate poverty and exclusion. Bonds of affinity (class, kin, location: e.g. neighbourhood, etc.) can function as "poverty traps".[15] Third Space Theory suggests that every person is a hybrid of their unique set of affinities (identity factors). Conditions and locations of social and cultural exclusion have their reflection in symbolic conditions and locations of cultural exchange. It appears to be accepted in policy that neither social capital nor cultural capital, alone or together, are sufficient to overcome social exclusion. Third Space Theory suggests that policies of remediation based in models of the Other are likely to be inadequate.[citation needed]

'space of cultural encounter in which the
colonizer and the colonized negotiate, producing hybridity in culture. This type of
culture subverts colonial domination by deconstructing essentialist identity and binary
opposition of the colonizer and colonized or the East and the West.' Nagendra Bahadur Bhandari, PhD

THIRD SPACE --- SECOND WORLD 




Made a cohort Locatiom Map - a starting point in mapping our coordinates 


https://www.google.com/maps/d/edit?mid=1gU6MUfxaTX_5X_8mw9xyzPtVhH9e5Ac&usp=sharing


https://docs.google.com/spreadsheets/d/1M9t0qllMK4GQMszWQg_-gENiDVbA-SkMrYXQPsvdrwQ/edit?usp=sharing

New concept - 'Sensorial Otherness' 

'Anthropology of the senses' - to explore in more depth ! 





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Sunday 9th Feb

An intense week of learning and trying to break through the puzzle of Unit 2 submission.

Have been looking at mapping, deep mapping, psychogeography.

Love the idea of maps being emotional as well as territorial, and how their physicality can be affected by emotions.

Went to the CSM library and got out 

'Mapping it Out' - Edited by Hans Ulrich Obrist
Mercator - cylindrical projection (atlas) 

Learnt about Buckminster Fuller - the inventor of the Geodome
crazy inventor 

Ephemirasation, doing more with less 
Taking things apart and putting them back together 


BK - Radical democracy 

Mallarme + Mike Kelley (rearranging words) 
Nancy Peluso - counter mapping, 1995 




Madeleine de Scudery - 
La carte du Tendre, 1654, based on sentimetal relationships
Buckminster Fuller 

Dynamic
Maximum 
Tension 
Map
+ 
Archive 

Dymaxion Map - 3-D atlas visualisaton without distortion 
Isochahedron - below

Decahedron - 10 sided shape - one for every one on the course?? 

Fahlstrom -
Arianne Littman - Wounded maps 


SOFIA - an invisible city 

not featured in list of European cities in artist experiment 

Headlands centre 


DEEP ATLAS  - Lise Mogel - counter cartographer 

https://whitney.org/education/community/programs/art-project
People don't question maps 

AIM - 
me in relation to others 
Positionality map - step 1 

Ephasis on creative practice and practice in relation to others 

Emotional Geographies - Bjork - Emotional Landscapes 

Draw from cohort skillsets

Make a LEGEND for mapping 

Identify something in their practice

Topography?? May be relate it to age etc.?

Multi - modal 

Intergrate feedback 
Misunderstandings of meaning 

WHAT TO INCLUDE: 
Borges Short Story 

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Friday 31st January

Using language to describe interculturality - metaphores etc. Irish literature etc 

Boundary - 

Emerging complexity - keep in complex, make it clear 


Catherine Bohm ?? practicioner 
listening for complexity - intercultural techniques / processes 

Intensify engagement 



Using language to describe interculturality - metaphores etc. Irish literature etc 

Boundary - 

Emerging complexity - keep in complex, make it clear 


Catherine Bohm ?? practicioner 
listening for complexity - intercultural techniques / processes 

Intensify engagement 


Sound + oral language
Richness of materials 
Understand my own positionality - to express curiosity in others 

Actor network theory - Latour - relationship between images - attentive to relationships
slide lecture 

Producing sensuous knowledge 
organise our world - past present and future 
Intersectionality 
Understanding objectification 

Mark McGowan - Crawling 
William L. Pope - Crawl - how do they compare 

ASSUMPTIONS about :

Onthology 
Epistemology 
Teliology 

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Thursday 30 January 2025

Intercultural competencies 

'In this new environment, cultures observe
one another, asking the same question: how to coexist
and interact in a more and more interconnected world?' 

Four pillars of education: 

Learning to know
Learning to do 
Learning to live together 
Learning to be 

Cultural literacy 

Conceptual vocabulary : 

Culture : 
is that set of distinctive spiritual, material,
intellectual and emotional features of a society or social
group, encompassing all the ways of being in that
society; at a minimum, including art and literature,
lifestyles, ways of living together, value systems, traditions,
and beliefs 
Cultural Identity:
refers to those aspects of identity
shared by members of a culture that, taken as a set,
mark them as distinct from members of other cultures.

Cultural diversity
refers to the existence of a wide
variety of cultures in the world today

Values, beliefs, and attitudes 
key aspects of
culture, underlie all communication with others,
whether within a culture or between members of
diff erent cultures.

Intercultural describes what occurs when members
of two or more different cultural groups (of whatever
size, at whatever level) interact or influence one another 
in some fashion, whether in person or through
 various mediated forms.

Communication often said to be a message conveyed
from one person to another, more adequately should
be viewed as joint construction (or co-construction)
of meaning 

Communication
includes language as well as nonverbal
behavior, which includes everything from use of
sounds (paralanguage), movements (kinesics), space
(proxemics), and time (chronemics), to many aspects
of material culture (food, clothing, objects, visual design,
architecture) and can be understood as the active
aspect of culture.

Competence refers to having sufficient skill, ability, 
knowledge, or training to permit appropriate behavior,
whether words or actions, in a particular context

Communicative competence implies both understanding
and producing appropriate words and other
communication forms in ways that will make sense
not only to the speaker/actor but also to others

Language is both the generic term for the human
ability to turn sounds into speech as a form of communication,
and a specifi c term for the way in which
members of any one group speak to one another.

Dialogue is a form of communication (most often
linguistic, though not always) occurring when participants,
having their own perspectives, yet recognize
the existence of other, diff erent perspectives, remaining
open to learning about them.

Intercultural dialogue specifi cally refers to dialogues
occurring between members of diff erent cultural
groups.

Universality, refers to those elements common to all
cultures – such as having a language, or having values
and beliefs.

Intercultural citizenship refers to a new type of citizen,
the one required for the new global village

Intercultural competences refer to having adequate
relevant knowledge about particular cultures, as well
as general knowledge about the sorts of issues arising
when members of diff erent cultures interact, holding
receptive attitudes that encourage establishing and
maintaining contact with diverse others, as well as having
the skills required to draw upon both knowledge
and attitudes when interacting with others from different
cultures.

Intercultural literacy, which might be glossed as
all the knowledge and skills necessary to the practice
of intercultural competences, has become an essential
tool for modern life, parallel to the development
of information literacy, or media literacy

Intercultural responsibility builds on understandings
of intercultural competence by considering
the importance of related concepts such as intercultural
dialogue, ethics, religion (including interfaith
dialogue), and notions of citizenship

Reflexivity refers to the ability to step outside one’s
own experiences in order to refl ect consciously upon
them, considering what is happening, what it means,
and how to respond

Liquidity, the term proposed by Bauman (2000)
to describe the fl uid nature of modern life implies
change as a central element of human experience

Creativity is the most evenly distributed resource in the
world. It is, indeed, our ability to imagine that gives us the
resilience to adapt to diff erent ecosystems and to invent
“ways of living together”, the term used by the World
Commission on Culture and Development to describe
culture.

Cultural shifting refers to the cognitive and behavioral
capacity of an interculturally competent person to shift
or switch language, behavior, or gestures according to
his/her interlocutors and the larger context or situation11

Disposition, refers to the mind set progressively
acquired through primary (family) and secondary
(school) socialization.

Semantic availability, proposed by Hempel
(1965), describes the plasticity of ideas: when a concept
is dimly understood, but not clear; pre-emergent,
not yet fully formed; having a word at the tip
of one’s tongue, except that the word has not yet been invented in that language. (АУТСАЙДЕР) 

Conviviality is the term Illich provided for “autonomous
and creative intercourse among persons, and the
intercourse of persons with their environment… in
any society, as conviviality is reduced below a certain
level, no amount of industrial productivity can eff ectively
satisfy the needs it creates among society’s members”

Resilience is a key characteristic to consider when
addressing cultures in their handling of tradition and
modernity.

A point from last week - 

1. The onion - understanding multilyared identities 
2. relationships between materiality and immateriality / experience (re: Georgie) 
3. Workshop intercultural and transcultural with M 
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Friday 24th January

Positionality 

Thninking about creative processes - 
breaking down 
building up 
using symbols to communicate meaning 
creative interpretation 

SPIRITUAL CULTURE - links to my work 

links to the custom I sent to Georgie 

Georgie - sommelier, theatre design - Trifon Zarezan merging the two together? 

What we are producing more of a Chimera than a mule 

Questions about mapping/positionality / brief Unit 2 

Mary Ann Frances - Mixed Forms 



Interdisciplinary / multimodal 
How are the differences being held?

Jacques Derrida 

The slash or the hyphen 

Critiqing dichotomies 
Intercultural 

Cultures living side by side and respecting each other's differences - Holy Cow (India), not holy in West 

Transcultural 

sharing common beliefs accross cultures - love of pets 

UNIT 2

Situationist International 

Essential to situationist theory was the concept of the spectacle, a unified critique of advanced capitalism of which a primary concern was the progressively increasing tendency towards the expression and mediation of social relations through images.[2] The situationists believed that the shift from individual expression through directly lived experiences, or the first-hand fulfillment of authentic desires, to individual expression by proxy through the exchange or consumption of commodities, or passive second-hand alienation, inflicted significant and far-reaching damage to the quality of human life for both individuals and society.[1] Another important concept of situationist theory was the primary means of counteracting the spectacle; the construction of situations, moments of life deliberately constructed for the purpose of reawakening and pursuing authentic desires, experiencing the feeling of life and adventure, and the liberation of everyday life.[1][3]



		
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17th January 2025

Unit 5
making meaning from archive 
using previous resources 
relentless blogging - use notes 
learning how to learn 
Unit 1 - focused on you (me) - me-search
Unit 2 - focused on someone else - interdependent focus - re-search 
citation - will cite visual + verbal sources
think about own learning, how is learning evolving 
transferrable skills you gained 
REBEL
UNIT 2 - Stuff of Cultures 

Submission 1 - map - me related to peers 
cognitive mapping / multi modal - images/text/sound/space - complex individuality 
being sensitive to the intersectionality of others 
Submission 2 - peers related to ?
presentation on one of cohorts, intercultural expression of their processes
assessment on how to present on peer - shining a light on the work of another 

sustaining cultural difference while creating something new 
crosscutting competencies in the context of sustainable development 
operationalising learning in own practice 

Reflect on learning 

Result needs to trace the cultural origins, and creating something new, not erase cultural origins but honour them 

hybrid - boar + sow  

Map - to reflect positionality 

Reflection from Marsha on Unit 1 

Milana  - storytelling, personal stories, 
Frances - sythensising where she is in the world 
M       - work as architect, self awareness 
Sarah   - analytical thinking - political - be more self reflective 
Georgie - analytical thinking - performer 
Lauryn  - fun 
Lilia   - fun? 
Khloe   - part-time art teacher, educator 

Reflect and quote interviews