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Friday 24th January

Positionality 

Thninking about creative processes - 
breaking down 
building up 
using symbols to communicate meaning 
creative interpretation 

SPIRITUAL CULTURE - links to my work 

links to the custom I sent to Georgie 

Georgie - sommelier, theatre design - Trifon Zarezan merging the two together? 

What we are producing more of a Chimera than a mule 

Questions about mapping/positionality / brief Unit 2 

Mary Ann Frances - Mixed Forms 



Interdisciplinary / multimodal 
How are the differences being held?

Jacques Derrida 

The slash or the hyphen 

Critiqing dichotomies 
Intercultural 

Cultures living side by side and respecting each other's differences - Holy Cow (India), not holy in West 

Transcultural 

sharing common beliefs accross cultures - love of pets 

UNIT 2

Situationist International 

Essential to situationist theory was the concept of the spectacle, a unified critique of advanced capitalism of which a primary concern was the progressively increasing tendency towards the expression and mediation of social relations through images.[2] The situationists believed that the shift from individual expression through directly lived experiences, or the first-hand fulfillment of authentic desires, to individual expression by proxy through the exchange or consumption of commodities, or passive second-hand alienation, inflicted significant and far-reaching damage to the quality of human life for both individuals and society.[1] Another important concept of situationist theory was the primary means of counteracting the spectacle; the construction of situations, moments of life deliberately constructed for the purpose of reawakening and pursuing authentic desires, experiencing the feeling of life and adventure, and the liberation of everyday life.[1][3]



		

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